Reviews - Western Anthology.

From www.hypergeek.ca (2009) by Edward Kaye

Accent UK have been publishing annual anthologies since 2002, which saw the publication of their first anthology title Remembrance Days. Each year has brought more and more contributors, dying for the chance to work with the publisher, making the page count of the anthologies increase steadily from their original size of about 40 pages to their current standard of around 200 pages. Every year has brought increased exposure for the company, culminating in their latest Anthology tittles Western, and Robots being carried by Diamond Distribution for North American release. I have mentioned before that I love comic anthologies. When I was growing up, they were my bread and butter… no, I didn’t eat them, fools! All of the popular British kids comics like the Beano, The Dandy, The Beazer etc. were anthologies, then when I got a bit older there was 2000 AD, The Eagle, Warrior,  Crisis, Deadline, Toxic, Revolver, Judge Dredd Megazine… in short, the anthology style comic is a fine British tradition, and for many years was a far more prevalent comic format in the UK than the U.S. format single story comic. Whilst I love anthologies, I have to say that I find them rather hard to review. There are so many different artists and writers contributing so many different stories, how can one possibly do an all encompassing review that sums up everything inside the book? I shall try my best here though, because Western is a fantastic anthology that is jam-packed with great stories, and is overflowing with work from some of the most creative people in the small press comic industry.

Art by Kirk Manley, Design by Andy Bloor

Western is a Massive 192 page tome containing no less than 32 new stories, based around the theme of the old American West. Contributors to the anthology include Steve Bissette (Swamp Thing), Andy Bloor (Wolfmen), Kieron Gillen (Phonogram), Dwight L. MacPherson (Edgar Allan Poo), Leah Moore (Complete Dracula), and John Reppion (Raise The Dead). The book also contains a gallery of Western themed pin-up illustrations from a variety of incredibly talented artists.

The tales in Western vary greatly in style and include: romantic cowboy tales, spaghetti westerns, grimly realistic war tales, Native American tales, steam punk tales, fantasy/folk tales, comedy, horror, zombie tales, robot tales, anthropomorphic tales, and many more! Basically, AUK’s only stipulation was that story submissions must be related to the theme of the old west, but apart from that creators were allowed to let their imaginations run wild… and boy, did they ever! This anthology is so packed full of so many incredibly varied stories that it would be an impossible task to try and review them all individually, so here are a couple of the highlights:

• Mrs. Henry – written by John Reppion & Leah Moore, art by David Hitchcock

This story starts out seeming like a classic tale a of a woman scorned, but turns out to be much more than that. Upon finding that her husband has taking up with a local harlot, Mrs. Henry tries asking the strumpet nicely to sever relations, but when her request is ignored Mrs. Henry decides to lay a trap for the cheating scoundrels that not only appeases her sense of vengeance, but lets her take far more control of her own life. Far more than a cowboy story, this is a tale of feminine empowerment set against the harsh realities of the lawless old west. Hitchcock’s art on the piece is quite interesting, as he seems to have only inked some of the art, to highlight the shadows and dark fabrics etc. while much of the penciled art remains uninked, giving it a look that for some reason seems to accentuate the old west feel of the piece.

• The 7th Will Rise Again – written by Dwight L. MacPherson, art by Kirk Manning

Dwight MacPherson is one of the few American contributors to this book, so there are certain exceptions to be met, and he has to show those damn limeys how to tell a real western tale, and let me tell you, he does not disappoint! Dwight tells the tale of one Private Brown, a man who was a member of Colonel Custer’s 7th Cavalry. He was with the 7th at the Battle of the Little Bighorn, but just before Custer made his legendary last stand, Browning deserted the cavalry and ran away! Ever since that day he has been haunted by visions of Custer, telling him that he can never escape his fate, and every time he tries to end his misery he just can’t manage to kill himself. Now it is 7 years after that faithful choice, and Brown has came to visit the graves of his fallen comrades, and atone for his sins. I won’t tell you what happens next, except that it is rather grotesque, and would quality the story for submission to Accent UK’s Zombies anthology Kirk Manning’s art is really nice. His undead Custer is fantastic, and the scenes of gore and violence are perfect!

• The Men Who Built the West – written by Kieron Gillen, art by Andy Bloor

This one tells the tale of a man who is doing roofing on an old lady’s shack when two cowboys come sidling up to the property with the hopes of an easy robbery. It turns out though that this roofer is far more than he seems, and a massive shootout occurs between the noble stranger and the good-for-nothing robbers. It’s a great little tale that has an hilarious twist at the end that will make you laugh out loud! Andy Bloor’s art on the tale is absolutely amazing, and really brings across that true grit feeling from all the classic spaghetti westerns!

• Avenger – written by Mo Ali and Brian Gorman

Mo Ali tells an incredibly dark story here of a Native American man whose family are attacked in their home by hired gunmen, who are dispatched by a local rancher who wants the family off his land, no matter the cost. The killers murder his wife, kidnap his young daughter, and leave him dying of a gunshot wound to the face. Our protagonist, prays to the great spirit to help save his daughter, and a shaman appears who he believes to be a servant of the great spirit. The healer gets him patched up but can do nothing for his face, so he must don a mask to hide his hideous appearance. Our protagonist then embarks on a mission of vengeance against his attackers, seemingly gifted super-human abilities by the the great spirit, hoping also to save his daughter from the scoundrels who absconded with her. This tale is grim, gritty and sad, but at the same time it is also probably the most realistic vision of the old west in the whole anthology. We tend to romanticize the old west, but it reality it was a dark and terrible time, and no-one suffered more than the Native Americans. The art on this story by Brian Gorman is equally dark, and fits the story perfectly. One of the best panels that Gorman draws is one that shows the leader of the gang leering lustfully at the underage girl sitting on his bed. Urgh *shudder*

• A Fistful of Corpse Meat – written and illustrated in magnificent style by the inimitable Indio!

This story is told in the form of a song, sung by a banjo playing zombie redneck. It’s a tale of zombie cowboys that come storming into a town and start eating horses, whores, and babies. Their killing spree draws the attentions of “an unholy gunslinger straight out of perdition”, the devil his own self! The devil has come to collect a bounty on the cowboys’ heads, and does so in incredibly brutal style. The artwork that goes along with this is is incredibly gross, and gory, and is full of AWESOME! You will love this!

Scattered throughout the book are six single-page cowboy interview strips by one of my favourite cartoonists, David Baillie. These strips take for the format of a journalist interviewing a different townsperson in every strip, asking them what they know of a man called ‘Wild Jack’. It’s an oral history sort of piece, where everybody seems to have a very different take on this legendary character and his infamous adventures. Through the different strips we are introduced to just about every old west archetype, and get to see boiled down, condensed versions, of these characters that really speak for themselves. It’s a great character piece, with a really delicious twist at the end.
There are also some fantastic stories in here from AUK founders, and anthology editors, Chris Mathieson and Dave West.
Along with the stories there is also a massive gallery pin-ups featuring amazing art from: Mo Ali, Garry Brown, Martin Flink, Tim Keable, Roland Bird, Steven Howard, Sam Wakeman, Andy Bloor, Crispian Woolford, Dan Denholt, Chris Doherty, and Will Kirkby.
The above are just a small selection of the many amazing tales in this anthology. I didn’t mean to talk about so many of them, but I started to get carried away and had to stop myself. That’s how good this book is! I have read several of Accent UK’s previous anthologies, including Monsters, Zombies, and Robots and  I can say without a doubt that these annual anthologies just seem to get better and better every year! Western is Accent UK’s greatest collection to date,  and if these anthologies keep following their current trend of improvement then the 2010 collection Predators may just blow readers minds!

So now that you’ve sat through this mammoth 2000 word review, don’t just sit back and wait for the collection to appear on the shelves of your LCS! Make sure to email, call, or ask your retailer in person to reserve you a copy. The book has been picked up for distribution in North America, a feat in itself because Diamond went and upped their minimum order numbers, meaning that AUK had an even greater hurdle to jump in order to get North American distribution. They made it, but that still doesn’t guarantee that it will be sitting on the new release shelf when it comes out. Make sure to order it by name, or using the Diamond order code (listed below). If your store is a Comixology partneer you can order the book by clicking on the below link!
Make sure you buy this one varmints! You’ll sure regret it if ya don’t, I reckon’ – Sorry, I just couldn’t resist!

From www.comicnews.info (2009) by Richard Caldwell

Accent UK’s Western: Better Than Spaghetti Alright pilgrims, I admit my bias. I love a good anthology, and this here anthology is good. Darn good. Accent UK is doing it right, releasing their annual smartly packaged and themed anthologies, each one growing jumbo-sized like a bootless foot swelling from a rattlesnake’s bite. This time round the bend, we get a massive heap of a stew of cowboy tales. I’ll ease up on the lingo if you hear me out. And you really should, because Accent UK’s Western is outstanding. Two-hundred pages of wonder, where to begin? Exploring dozens of angles to the Old West genre, this is a motherload of a homage. Archetypal stories, characters and imagery are everywhere, but without crossing into stereotype territory. And with so many fantastic new spins thrown into the mix, readers are offered fun points aplenty in this book, no matter your personal tastes. The range of materials and styles truly is impressive, skirting from the historic to the comical to the hyper-realism of the modernist. The organized ebb and flow of the voices and scenery play out almost like a mixtape full of earnest and dedicated love. Other sizable anthologies could learn a strong thing or three about pacing from this. To illustrate the variety, here is my take on a sampling of what I read as standouts: Boots, written and drawn by Morgan Pielli. A wordless strip showing the varied paths tread by a single pair of cowboy boots, from one wearer to the next. Ever been curious of a boot’s perspective of a card game? An eventful few pages, and with a brushy linework that made me think of the great Carol Swain. A Town Called Desolation, written and drawn by Graeme Neil Reid. A stone solid one pager, this offering has all of the charismatic personality of Butch Cassidy and the Sundance Kid; and is illustrated in a style that serves as proof that art can be both purdy and technically sound, all rolled into one. The Last Train To Jubilation, written and drawn by Gary Crutchley. A group of gunfighters are brought together to deal with a town and a mineshaft, and the horror of a thing inflicting the whole mess. Not to give away too much, Jubilation is a blending of at least a couple of separate genres, and in a very well executed way. Though the graytones were a bit inconsistant, the story itself absolutely made up for it. Sixteen Horseless Riders, written and drawn by Douglas Noble. A poem without verse, this is one of the more sobering pieces. A mystery without details, we are only given a taste. Brilliantly handled. Like a fragmented story, we are shown only fragmented faces. Noble needs to be big and famous. Mrs. Henry, written by John Reppion and Leah Moore, drawn by David Hitchcock. This is an adult tale, and in a perfect world would be the origin setup for something much more than just a short story. The timelessness of love triangles, gore and all. Fully formed characters within so few pages just hurts though. And Hitchcock draws unbelievably well. Quite possibly one of the very best stories in the entire volume. Tenderfoot, written and drawn by Steve Bissette. Laugh out loud funny with colloquial verbiage, Tenderfoot is an observation in how misconstrued events can play out after the fact. Stories can grow larger than life. And Bissette’s art is definitely caught up in the mood of his story, master storytelling and expressive faces make for a fun ride. I could go on and on (like Dwight MacPherson’s Twilight Zone take on Custer’s Last Stand, or the story adapted from Native American folklore, or the one written by a fifteen year old superstar in the making, but I digress). If you like demons, steampowered robots, zombies, donkey-headed children, and other things not generally associated with cowboys and cowgirls, then this is indeed your cup of tea. Or rotgut. Accent UK’s Western presentation is a thorough escape that would look not at all out of place on your coffeetable, bookshelf or nightstand. Especially in light of the current and ongoing fun where regards the wonderful world of distribution, Western’s journey has been a gunfight of its own. Support good small press. If the naysaying readers of this review believe that the Old West is void of new story potential, then boy howdy are they in for a surprise with this pup. Give it a read and thank me later (after applauding the efforts of co-editors Mathieson and West). Accent UK’s Western is worth every damn penny, for quality and diversity alone.

From www.newsarama.com (2009) by Jeff Marsick   Best Shots Extra: Western

By Jeff Marsick posted: 29 June 2009 01:54 pm ET   Western Writer(s): Various Artsit(s): Various Accent UK Review By: Jeff Marsick Ask about Accent UK anywhere here in the states and the best you’ll get is a referral to the diminutive sixty-five-word entry on page 180 of the June Previews. The recent Diamond minimum-order policy doesn’t help the publisher gain traction on these shores, either. It’s unfortunate, too, because Accent’s anthologies have been improving with each outing. Zombies was good, Robots was better, and now Western is the best of the three, even sporting some well-known talent in the comics industry. Western, as you can suss by the terrific twin-barreled and in-your-face cover by Kirk Manley, is two hundred pages of yarn-spinning by thirty-two creators, where the Wild West is the central theme. Dwight MacPherson has a piece in here, as does Leah Moore, Kieron Gillen, Andy Bloor, and legendary scribe Steve Bissette. What I love about Accent’s books is that while editor Dave West and his team are picky about their selections for inclusion, they relish in publishing work from no-names alongside those with better pedigrees. The result is a refreshing and entertaining gamut of work that spans from Sergio Leone-inspired steampunk (Robson and Coyle’s “A Fistful of Steam Valves”) to Al Jaffee-inspired backwoods zombie (Indio’s “A Fistful of Corpse Meat”). While horror seems to be the popular catalyst for many of the stories, like the Lovecraftian “Last Train to Jubilation” by Gary Crutchley, and the spooky General Custer-as-a-zombie “The 7th Will Rise Again!” by MacPherson and the aforementioned Manley (arguably the best artwork in the book), it’s not all Halloween in Deadwood. “A Hard Day’s Work...In The West” by editor Dave West is a chuckler, all in a single page of five panels, while “The Men Who Built The West” by Gillen and Bloor brings to mind Sam Raimi’s Ash, if he had been a cowboy. There are tales poignant and others perverse, most that hit their mark dead-center and a few that wander off the reservation. This last is to be expected, as no anthology is perfection from beginning to end, but the ratio of good to bad in Western certainly weighs heavily to the former. Last week Image put out their anthology, Outlaw Territory, which is pretty good and a decent fix for western junkies looking for a score. But Image has the advantage of a bigger bench of comics talent from which to draw from, as well as the deeper coffers from which to dip. Western doesn’t have the same production value, but what they’ve done with less is just as entertaining and impressive, probably more so given the number of unknowns who have contributed. If you’re a fan of western comics or just love a good anthology, you owe it to yourself to order a copy of Western. And if your LCS doesn’t know what you’re talking about, show them page 180 of the June Previews.

From  www.comicsbulletin.com (2009) by Zakarya Anwar    Accent UK (Zombies, Robots and The Wolfmen) are a publishing house based in Cheshire, UK. Themed anthologies are their thing, and this year’s thing is the western genre. Hence the title of this trade paperback collection: Western--an anthology of short, self-contained stories and vignettes set in the American Old West. Editors Dave West and Colin Mathieson always put together a professional product, and Western is no different. Kirk Manley’s brilliant wrap-around cover let’s you know exactly what you’re getting when you open this book--gunmen, lawmen, and whole lot of six-shooters. Andy Bloor (The Wolfmen), whose always-good artwork is within these pages (as is Kirk Manley‘s), does a great job with the book’s design. Accent UK’s anthologies have improved greatly since he jumped on board. But let’s get to the important stuff. The vast majority of the stories come under the category of the classic British “twist-in-the-tale.” Some of the twists are quite good, both relevant and unpredicted. There were a number of them, however, that jarred, two or three of which had the exact same twist. The book also contains many references to a number of famous film westerns that you should be shot if you haven’t seen. Sergio Leone’s spaghetti western trilogy and Django come to mind quite easily. Leah Moore and Dwight Macpherson lead the charge among the writers with crisp, simple, yet effective writing that showcases their strengths. Yet it seems that to counter a group of otherwise solid writers, a few less than solid varmints have done gone’n’got smuggled across that there darn border (a-headed to NU-MEXICO, naturally) with a fistful of clichés. These select few try their best to ruin it. The artwork has greatly improved from previous anthologies. Unlike before, flicking through the anthology does not allow you to discern who the “best” artist is. They’re all good (at least almost all of them are). Bloor, Manley, and Mullins step to the fore, though--which is not to say that there aren’t at least ten others that are of the same calibre, or close enough to it. One thing that always gets on my nerves when reading small press black-and-white comics is when there is so much squeezed into a single panel that it is impossible to tell what is going on. Thankfully that is not the case with Western. However, Noble, whose writing is great, still caused me some distress. I appreciate it when a good writer does his own artwork (as opposed to a good artist doing his own writing, which is almost never good). Yet, after mulling over a page for ten minutes does not reveal the connection between the pictures and the words, I get cranky. Maybe that’s just me and my inferior deductive reasoning skills, though--and Noble’s words do provide a good read. Western is one of Accent UK’s best anthologies yet. The book is a refreshing read in contrast to all the mainstream cack that is on the shelves. While some stories may not be to everyone’s taste, most will keep you entertained. Two-hundred-odd pages of very different stories for thirteen dollars sure is a helluva dang bargain--and that there bookshelf of yers, like mine, will be better for having anthologies like this nestled in, all nice and cosy-like, on it. Buy it.

Reviews - Whatever Happened To The World's Fastest Man ?

From www.whatevercomics.com by Manny (2009)

I remember a past where two 11 year olds surrounded by small piles of Marvel Comics discussed which super powers they would have if by some miracle we were exposed to radio activity or struck by a bolt of alien lighting.

Super strength, invulnerability, flight, mind control, invisibility, you know all the standard fare available to us though this make-believe world that we immersed ourselves in.

One of the super powers I had wised for was to make time stand still, with this my friend stopped and pondered for a second, yeah but if you did that you would get old real quick.

How do you mean I replied? Somewhat confused, well he said if you stopped time but within that stopped time you continued to function then you would continue to age while everyone else stayed exactly the same age,

I listened intently to my friend who was always a much sharper tool from the box than I was.

OK I said I want to stop time without any side effects! He sighed probably realising that everything he had explained had escaped me completely and we continued to explore the realms of possibility.

As the years went by I always remembered this conversation and wondered why it had never been explored in the medium I had chosen to live my life by, maybe it has I would some times think, and I just haven’t read the comic it has appeared in, maybe someday I will write a story about it myself, yeah right, I would say out load it would be a pretty boring story if I wrote it now wouldn’t it !

This brings me to Accent UK’s latest offering Whatever Happened to the Fastest Man which Accent UK kindly sent me a preview copy.

This square bound American comic size black and white comic book explores just that, the concept of stopping time is brilliantly explored in ways I could never have imagined.

First off I was really impressed by the overall quality of the publication its glossy colour cover alone makes you want to pick it up, once you do the interior pages continue with beautiful black and white artwork by Marleen Lowe who uses clever gray tones to further enhance and to create effects between time and time stopped.

The written word by Dave West who you may remember gave us the fantastic Wolfmen with Andy Bloor.
It immediately draws you in, once you start reading it you just cant put it down, now I don’t want to give to much of the story away but suffice to say an evil act is afoot in so far as a huge bomb planted in a landmark building and only one man has the power to be able to do anything about it and that’s Bobby Doyle who if you hadn’t already guessed can stop time while still able to move freely. The resulting way Bobby deals with this menace is beyond heroic, you see that instead of stopping time just to save himself he uses it to save as many other people as well all the while paying for it by shorting his own life in the real world.

And with that I am not going to say anymore ! except that this is an amazing piece of work and you should buy it, its due in stores around the last week in January 2010.

It could well be the best £3.50 you could ever spend on a Comic Book.

10 out of bloody 10

From Stephen Holland of Page 45 (2009)

Whatever Happened to the World’s Fastest Man?

one-shot (£3-50, Accent UK) by Dave West & Marleen Lowe

One of the biggest surprises for me this year, I've just spent a very enjoyable quiet half-hour mesmerised by a complete preview copy of this substantial book which is emphatically not a superhero comic. It's nothing like it appears to be from its title, synopsis and cover - and deliberately so, I'm sure, but it's selling itself short.

Some time during the last two years a train heading towards Charing Cross station became derailed, demolishing a whole street of houses and killing everyone inside it. Except that were no passengers inside: they all found themselves outside the disaster zone witnessing the crash for themselves. The driver thought he saw a man for one split second, but other than that no one to this day has worked out what happened. Now history is about to repeat itself as it's announced on the news that some mad bastard has set a time bomb ticking - one with a lethal two-mile radius and an hour to detonate. There's ever such a slight panic but...

"Bobby Doyle observed all this on the television over the bar at his work's local public house. He was out with friends for a 'long lunch' and on hearing this news... accepted that this was going to be even longer than planned."

That final phrase is illustrated by a close-up of Bobby Doyle face, eyes closed and lips tight in silent resignation, but at that early point in the story I had absolutely no idea how perfect that panel was. I had no idea how much Bobby Doyle was about to sacrifice, and I suspect neither did he, as he stops time around him to make his solitary way through London on foot to the bomb's location several miles distant. He's no scientist, our Bobby - he's not going to be able to stop the bomb going off. But he is going to try to move thousands and thousands of people away from the inevitable carnage even if it takes him his whole life to do it. It will.

It's subtle stuff, and only after a while did I realise how much time was passing as his beard and hair grow long and matted then the bald spot first appears. Deprived of human contact in any real sense (he may be lugging the innocents two miles each, but they're blissfully unaware of his efforts) he starts talking to himself in exactly the right tone of almost self-effacing light-heartedness. I also liked Bobby's reasoning: kids would be his priority you might have thought, but by the time he reaches fifty or sixty they'll be the only ones light enough for him to carry. There's plenty more here and it's been thoroughly thought out, while Marleen's art will grow on you very quickly indeed, especially when you see how well she differentiates between normal time and 'Doyle time'. A tip of the hat then to two talents new to me, but from whom I hope to read a whole lot more.

From www.forbiddenplanet.co.uk by Richard Bruton (2009)

Behind a lovely (if slightly confusing to the newcomer perhaps?) cover is the best thing to come out of Accent UK so far that I’ve seen. Whatever Happened To The World’s Fastest Man starts with an intriguing concept and then proceeds to not only do the concept justice but gives us a great little story in the bargain.

The concept?

There’s a huge bomb in London and it’s going to go off in just under an hour. Normally the authorities would deal with this, but not this time. This time something’s gone wrong and the bomb is going to go off, there’s nothing anyone can do, London’s in a state of panic and in less than 1 hour a 2 mile radius of the city will simply cease to exist and thousands will die. There’s nothing anyone can do about it. Except…….

“With a sigh he put his half-empty pint glass on it’s beer mat …. and stopped time”

Yep, that’s it. Bobby Doyle can stop time. He’s the mysterious “World’s Fastest Man” that all of the papers have been talking about ever since he carried all of those people from that train crash. But he’s not fast, not in the way they think. He just has this strange power where he can stop time for the world and carry on with his life inside his own time-zone. Bobby’s no hero, not in the way people think of them. He’s just an average 25 year old bloke who wants a normal life. But that’s not his fate. He may have saved people before, may have been the hero before, but never on this scale. And he knows what’s coming, he knows the end result. That’s why he looks so resigned to his fate in the artwork above.

So Bobby sets off to the future ground zero – Prometheus Tower in London, where the bomb proves to be just as big, just as deadly and just as impossible to turn off as he feared. Which means he knows for certain now – he has 59 minutes to rescue everyone he can, 59 minutes to get as many people to safety as he can.

But he knows how his powers work – everything’s frozen when he stops time – so no transport works, doors remain shut unless he temporarily unfreezes time and opens them and the only way he can get people to safety outside the 2 mile blast radius is by the slow, physical, back-breaking way – he has to carry them. And he knows that even though time may be stopped for them, for him it carries on as normal, saving all of these people, carrying them all to safety will be no more than a blink of an eye for them, but for him it will take 50+ years of his life – possibly even all of his life – it’s the ultimate sacrifice and what makes him a true hero – no gaudy spandex, no incredible powers of flight and adulation, his is a special power that no one will ever know about.

“It wasn’t so much the 58 minutes and 23 seconds that troubled Bobby. It was the estimated 50 years or so that he had left to live. You see as Bobby moved around inside his own personal time zone, time moved for him at a normal rate. ……. he got older”

Essentially Whatever Happened To The World’s Fastest Man is a 50 page 2000AD Future Shock, but it’s one of the best I’ve ever read. Sure, if you really want to you can pick a few small logic holes in the story, but that’s not the point. The concept is great and the execution is near perfect, certainly good enough to allow that disbelief to be suspended.

As Dave West writes it, Bobby’s story is the story of the last man in the world – his world. He’s going to spend 50 years – a lifetime – saving everyone he can. And he’s going to do it knowing that he’s unlikely to survive, unlikely to hear another voice, he’s never going to fall in love again, never going to be held, never going to hear another voice. So it’s no wonder that there are times he fears he’s going mad. And it’s no wonder that the whole story has a terribly melancholic, fatalistic feel to it. But Dave West handles the writing so well that this story of the last man in his world is a riveting read. From the first page to the last I was engrossed and I hope you will be as well.

The art by relative newcomer Marleen Lowe is good, very god. The most important thing she gets right is a way of distinguishing between real time and Bobby time. Since a comic panel is essentially a static image implying movement there had to be a good way of conveying the sense of a paused world. Lowe does this by always drawing Bobby and real time events in sharp focus inked linework whilst delineating the stopped world with a pencilled and shaded effect, blurred, just like it must seem for poor Bobby. It’s possibly the most important art effect in the book – if it were to fail then the book may well have failed. But Lowe’s technique works particularly well and with that simple, critical artistic success the entire concept is easily conveyed and the book goes from strength to strength.

Like I said to begin with, this is the strongest work I’ve seen from Accent UK so far. On one hand it’s nothing more than an extended Future Shock tale, but that damns it with such faint praise. This is 50 pages of spectacular yet very low key fantasy. It’s a melancholy look at what sacrifices, what price a real superpower may demand. West and Lowe deliver a very, very good slice of what if here. Definitely one you need to look for.

From www.comicshopvoice.co.uk by GM Jordan (2009)

Whatever Happened to the World’s Fastest Man?

Accent is known primarily for producing anthologies, WHTTWFM? is a really good comic book, well put together and beautifully made.

I bought WHTTWFM? because I have always enjoyed The Flash and I was interested to see if West and Lowe's take on the idea. They have done a sterling job, I was gripped from the beginning and the story is well told by Dave West. Marleen Lowe's artwork is very clean and meticulous, both creators come together to tell a tale that is simple but compelling.

The format of the book is smaller than a regular comic book, with the cover set out in newspaper style. The internal graphics are b&w and you don't miss the colour, it's a very British tale of action adventure and I really want to go into it more but I don't want to spoil it for you. It is thought provoking and fun in all the right places, it makes you think about decisions and what you would do in the hero's place.

WHTTWFM? costs £3.50, there is some dire rubbish out there from the American publishers that you can do without so treat yourself to a quality title from a British publisher. Accent know how to put great comic books together, their anthologies are fantastic and well worth buying.

For a full list of their range visit the Accent website and you can probably catch them at most of the UK conventions. Accent are also one of the few British publishers that survived the cull by Diamond on the small press.

 From www.grovel.org.uk (2009) by Andy Shaw

 Caught somewhere between a comic and a graphic novel, Whatever Happened to the World’s Fastest Man? is the latest release from British indy publisher Accent UK, the team also responsible for superior anthology Robots.

This short, 50-page book is the self contained story of a man who can stop time – a bit like the Hiro character in Heroes. However, this guy isn’t hung up on saving the world or even using his powers much; he’d rather live a quiet life, saving people from danger if he’s able, but essentially just living like a normal person. One day, events catch up with him though, and he finds himself in the blast zone of a mad scientist’s bomb. Set to blow up the centre of London within the hour, with a two mile blast radius, it would seem that even the fastest man alive might struggle to save any more than a handful of people. What’s he to do?

This is a heart-warming story, deftly told with humour, pathos and flair. Watch out for it – this is a definite one-to-watch.

From www.hypergeek.ca (2009) by Edward Kaye 

Whatever Happened to the World’s Fastest Man? is an incredibly interesting and original take on the old adage that “with great power, comes great responsibility.” It’s an incredibly honest look at what would happen if an ordinary man was gifted with extraordinary powers. It is unlikely that most individuals would don a garish costume, and run around saving lives, not unless they were mentally unstable, or were in constant need of the fame and adoration. In this story Bobby is just trying to lead a normal life, but when his powers are truly needed and there is no way around it, he pulls his sleeves up, and gets on with the job. This is a very British take on the superhero myth. The British, whilst performing wonderful work on the U.S. superhero scene, have had very few home-grown superheroes, and when we do create them we tend to make them incredibly flawed beings with very human sensibilities. Whilst an American superhero might dress up with his underwear outside of his trousers and run around saving screaming dames, you’d never catch a proper British hero doing that.

Dave West does a wonderful job on the story front, with the storytelling method falling somewhere between a regular comic, and a short story. What I mean by this, is that by the inherent nature of the plot this is a very lonely story, which mostly  precludes the need for dialogue, or speech bubbles of any sort. Most of the story is told though interiour monologue, character introspection, and a little bit of exposition. Exposition has become a bit of a dirty word in modern comics, but when used properly, as it is here, it can be a very valuable story telling device.

The art on the book is by Marlene Lowe, and is incredibly gorgeous. The book has a full colour cover, but all of the interiour artwork is in black & white.  There are many parts of the book where difference between static time and moving time needs to be illustrated, and Lowe manages to to indicate the flow of time incredibly well through some very subtle techniques. Namely, when time is static for a character, place, or object the artwork is penciled and shaded, but not inked; when time is flowing, as it always is for Bobby, then the art is inked, and coloured in grayscale. This leads to a truly wonderful effect, as illustrated below. Like I said, it’s a really subtle technique, but it is incredibly powerful!

Whatever Happened to the World’s Fastest Man? is an amazing piece of character work, that takes a very real-life approach to the modern superhero myth. Bobby Doyle is an average working class schmoe, who just happens to be able to stop time. When faced with no other alternative he keeps a stiff upper lip, and goes about saving the lives of thousands, in the most mundane of fashions. Though he is reluctant to do so, he sacrifices day after day of his ever depleting life in order to save the lives of strangers. The title of the story may bring to mind classic Alan Moore penned Superman tale Whatever Happened to the Man of Tomorrow? which isn’t a bad association to make, but this story is rather different from Moore’s classic Superman epitaph. Instead, it brought to mind an Alan Moore interview that I remember from several years ago (conducted by Stewart Lee, I think) where Moore was making fun of the Batman origin. He was highlighting how ridiculous even Batman’s dark origin was, by quoting part of the comic where after Bruce Wayne has witnesses the brutal murder of his parents he says, and I’m paraphrasing, “Now I shall dress as a bat and fight crime!” I think Bobby Doyle’s response to having special powers is a little more realistic, don’t you?

Whatever Happened to the World’s Fastest Man? will be available in th UK shortly, so keep checking http://www.accentukcomics.com for news on the release date. Accent UK are also hoping to get this one-shot picked up by Diamond Distribution for a North American release, so keep an eye on Previews magazine for that, and I am sure I will highlight it and inform people when it does appear

From www.comicnews.info (2009) by Richard Caldwell

Whatever Happened To The World’s Fastest Man? Well, Where Is He???

Hands down, this is a new and extremely inspired take on the whole concept of “speedsters”. To move faster than those around you, faster than nature or even physics- that is something, right? But what if such incredible powers were not so simple? What if physics (and possibly even quantum mechanics) played a bigger role? And what if those cursed with such abominable abilities really were, at the end of the long day, just one of us after all?

These are only a hint of the flavours suggested in this story, where a madman has unleashed a bomb in the heart of London proper capable of devastation two miles in circumference. Of course, the blessed powers that be try to deal with the situation in every which way imaginable, announcing at last to the public the dire circumstances at a point in which nothing else could possibly be done. Just enough time given for general panic to set in, with the streets overcrowding and all cool lost in the genuflections of guardian angels.

Enter Bobby Doyle, aka Joe everyman, regular bloke with regular dreams. Except for this strange ability of his, wherein he can step outside of time. Now like the average personas of most real-world folks, such power is wasted on common things, like sleeping off hangovers and the like. On the very odd occasion in which something truly unsettling settles in, Bobby is the sort to do what’s right. The downside, very effectively portrayed in West’s narrative, is that while he steps outside of the boundaries of time, his own time marches on, as time is prone to do, the limey bastard. In doing the right thing, his very own life is robbed of him. Think about that.

The art, by the lovingly ingenious Ms. Lowe, is done in a detailed pencil shaded sketch manner, with inked and even computer-enhanced detail awarded to the core points of each and every sequence and frame. This is a bit like Frank Quitely’s work, maybe just prior to his being looped into tights-work only on a steady basis. The characters are as expressive as the very best Manga efforts known to the Western hemisphere, but without any of the attributes of Manga usually offensive or distasteful to the otherwise common Western comic buyer sensibility. This is a fun, energetic style, even while energy itself is a thing that fades within the progression of the plot- and all entirely appropriate, mind you. This is one of those rare indie artists we see nowadays, who you just know beyond a shadow of a doubt is inventive enough to figure out how to draw anything a writer might lay down before her eyes. I do not say such lightly.

It is honestly quite difficult to express how innovative, yet personal, this story really is without giving away any major points of the comic. A few pages into the work and the reader will undoubtedly begin to catch a whiff of things to come; but to see it executed to such a degree…

This is simply one of the finest comic book stories I have seen in quite a spell. I sincerely hope others will read this work, and that it triggers the imagination as muchly as it has my own.

In terms of a personal sacrifice, this will open some eyes as to variant perspectives of unexplored superhero stories yet to be told. In terms of reader satisfaction, unless you are a moronic idiot with drool oozing down your chin round the clock, then a work like this should leave its mark.

A very very very fine comic book, and I was pleased by the experience of the read.

From talesfromtheparentsbasement.com (2009) by Jim Schwitzer

One Saturday afternoon in the late eighties, I was flipping through the channels and came across a movie starring Charlton Heston called The Omega Man. Heston plays the role of Robert Neville, the last man on earth. He speeds recklessly through the streets of San Francisco, watches Woodstock over and over again in an abandoned movie theater and basically does whatever the hell he wants. Well, at least until night fall. Then he has to shoot freaks from his compound.

I must have watched the movie fifty times since then and I have become obsessed with most entertainment that deals with the idea of being the last living soul(s) on the planet. Obviously I’m not alone with this infatuation, because it seems like there are a lot of these stories out there. All have the same general premise, but vary to some degree. Like Y:The Last Man for example. Same idea, but it has an interesting “what if…” twist. Post- apocalyptic subject matter is getting boring…or so I thought.

Dave West and Marleen Lowe have made me a believer again. Whatever Happened to the World’s Fastest Man? is the best comic that I have read in months. I may even say the best comic of the year when December rolls around, but maybe that’s being a bit too anxious.

An evil scientist has planted a bomb in the Prometheus Inc. building in London. The police and media have just informed the public that everyone will be killed within a certain radius of the bomb and chaos has broken loose. The streets are flooded with fleeing citizens and traffic is at a stand still.

Bobby Doyle is in a pub taking a long lunch with some mates when he sees the news on TV. He calmly takes a last sip of his pint, sets the glass down, and stops time.

Doyle is just like any other person in London, but he has a special gift; he can freeze time. Time stops for everyone but Doyle. Once, when he was travelling on a train,  a horrible accident occurred. Bobby immediately stopped time and carried all of the passengers to safety. In order to operate doors or anything that moves, Doyle has to start time for a split second. Sometimes people catch a glimpse of him or a camera may catch him on film, giving the appearance that he is moving at an incredible speed. because of this, the media named him “The World’s Fastest Man”, but because the only see him for such a short time, no one knows who he is.

So, Bobby Doyle stops time when he hears about the bomb in the Prometheus building and figures out a solution: he’s going to move every single person out of  range of the bomb. It will take him a lifetime, but he’ll do it. And he does.

Maybe this isn’t really the story of the last man on earth, but it is. The hero is very noble and tragic. He moves alone throughout the rest of his life among thousands of frozen people. He’s going to save London at the cost of his youth, friends and family, and will probably never get credit for it. Not even a thank you. Yet he never questions or complains about what he has to do, he just does it.

The story itself is outstanding, but the art is just as impressive. Although the comic is black and white, there is a distinct difference when Lowe draws the people frozen in time and when they are active.

It’s a shame that this comic will probably not be released in the U.S.. Accent UK has had some very impressive work recently, and Fastest Man is no exception. It’s going to be hard for us “Yanks” to get a hold of, but it will be well worth the effort and money to get this one-shot.

GRADE 10/10

From www.comicsvillage.net (2009) by Glenn Carter

Mad Scientist blackmails government with a massive bomb in the heart of London. With one hour to go, this is the story of what happens next and what became of the world’s fastest man in the last hour.

Sometimes you get a rare example of everything that is right about the independent comic scene. Sure, in doing so you have to wade through mountains of turgid unskilled rubbish, but it is worth it for the gems you find in amongst the crap.

This is one of those gems. It reads like Alan Moore doing future shocks on top form. It is inventive, unpredictable and compulsive reading. It is, in short, a prime example of ideas based storytelling at its best.

It toys with your expectations and never quite pays off in the way you expect it to, but it is so well-written, imaginative and clever that you are drawn to like it and the plot twists never seem stupid, but always natural and believable.

This is the sort of thing independents can do really well. They can break free from the chains of teenage power fantasies and explore ideas and concepts fully. I don't believe that it's possible for Marvel and DC to really innovate, so it's left for people like AccentUK to blaze a trail away from comic clichés and into more imaginative territory.

Artistically, I wasn't too keen, but even then the worst I could say about the artwork is that it is not to my personal taste. I can see that it is good and consistent and works perfectly with the nature of the story.

Regardless of the artwork, I read through it all in a single sitting. Once I'd read the first few pages I found myself unable to stop. So do yourself a favour and acquire yourself a copy of a very early contender for the strongest indie comic of 2009.

10

Reviews - Whatever Happened To The World's Fastest Man ?

From www.ifanboy.com by akumuu (2010)

Whatever Happened To The Worlds Fastest Man One-Shot

When I saw the title on the iFanboy site, I assumed this was going to be The Flash version of Whatever Happened To The Man Of Tomorrow and Whatever Happened To The Caped Crusader, so I didn't pull it.  But while setting up the racks for tomorrow, I found a couple copies, and thought I'd flip through it.

Wow.

The story centers on an average guy who has the ability to stop time.  No origin is given.  No reason.  It's just something he can do.  So, when he learns that a huge bomb lurks in the center of London, and that scientists have concluded there is no way to stop it, and that it will destroy a two mile radius, the average guy decides to rescue the city of London himself by stopping time.

Marleen Lowe's black and white landscape is incredible.  Every panel is worth pausing the reading and taking in as art.  And Dave West's take on the protagonist is splendidly realistic.

I don't imagine many LCSs will have very many copies of this book (we have two in the store I'm working in now), do yourself a favor and pick this up immediately.  It's hands down the most interesting single issue take on special powers that I've read in ages.

Story: 5 - Excellent Art: 5 – Excellent

From davescomicsuk (2010)

So what was the best superhero comic of the last few months? Which single issue managed to convey the poignancy of the heroic act? Which comic presented this inspirational figure in way that grounded them as one of us? My vote goes to Whatever Happened To The World's Fastest Man? (£3.50) from Accent UK Comics (yes, they're British).

The story begins with news that a bomb has been planted in a famous (fictional) building in London and with only one hour to go before detonation, panic spreads throughout the two mile blast zone. We then meet Bobby Doyle who immediately realises that he will have to get involved. So he stops time.

We then see a flashback that explains the cover of the comic, including the title: One day Bobby was on a train as it began to crash. He stopped time, carried everyone off the train and then started time again. The train crashed and the passengers were amazed to find themselves standing in a field except that one eyewitness claims they saw a blur of human movement...

So Bobby goes to the building and finds the bomb. Taking in the scene of chaos of experts frozen in panic and confusion, Bobby realises that he won't be able to stop the bomb. The only option left - for he is a hero - is to move every person in a two mile radius out to safety. The only problem - and here is the sacrifice - is that although time has stopped for the world, his own body clock marches on. In other words, to save as many people as possible, will take him decades to complete.

This is the most moving study of the heroic act as I have seen for sometime. Bobby never moans or complains about what has now become his life's role. His only concerns are how he will eat, that locked doors will be a problem and that he will have to carry heavier people while he is still young. The most poignant lines come near the beginning when he worries whether he will live long enough to complete his task but reassures himself that his parents are still healthy and in their fifties.

This isn't a character study. There isn't a meditation on heroism. It's simply telling a story of an act of heroism. We know next to nothing about our protagonist and the only glimpse into Bobby's character are the two decisions he makes, once at the beginning and once at the end (which I obviously won't spoil).

Of course along with the responsibility of using ones gift and the added burden of sacrifice, anonymity purifies the heroism (an act of sacrifice may be easier if fame and fortune awaits). The title rather boldly brings to mind both Alan Moore's Whatever Happened to the Man of Tomorrow and the recent Whatever Happened to the Caped Crusader. Both melancholic comics drawing on the last days of two of cultures most famous superheroes. The title here becomes ironic as not only is Bobby's identity a complete mystery, but it even fails to identify his power.

The writing by Dave West is beautifully clear and simple ("He would leave the children until he was 50") and Marleen Lowe's greyscale art is perfectly expressive. Accent UK promise that Whatever Happened... is the first title in their Blessed Cursed imprint (there may be clues about another title on the font and back cover) and I hope that it's the start of a beautiful friendship.

Updated Accent UK Website.

The Accent UK website has experienced a few problems of late.
It could never be viewed on Apple devices, the carousel used Flash ... which I'm told was the reason for this ... the bigger problem however was that it was too complicated for me to maintain and as I only tried to update it whenever we produced a new comic, each time I did so was a real challenge.
So, armed with a bit of code sent to me by Martin Flink, I've managed to produce something much much simpler.

The main image area cycles around as many images as you want to put up there, and so I've sampled all our covers.
It allows us to promote comics that haven't been printed yet...

and also point out those that have now sold out...

The 'BUY' button now just sends an email (and I've had a few already) from where we agree a price and payment method. I've replaced DIGITAL (which we do need to sort out one day) with REVIEWS, and will be putting all of our reviews (historical and future) on the Accent UK blog (which this button will take you to). Some of these reviews are quite old now, and so sadly the podcasts, websites and even stores may no longer exist. The reviewers however are still out there and they pop up here and there now and then.
It works on Apple devices too.

Giant Monsters Attack...

Pop over to Strange Times for the link to a podcast from Giant Monsters Attack.
They like our stuff ...

The Troll is in the August Previews.

Well, a friend from the good old US of A has Tweeted that The Troll (by Martin Flink) is in the August Previews ... we knew it would be but it's great to have it confirmed.

and perfectly timed (by Jeremy Briggs) there's a great review over at Down The Tubes.
Accent UK are at the Manchester MCM this weekend, so you'll be able to see how good it is for yourselves.