Saturday, 5 May 2012

Mocca 2012

We really enjoyed last year's Mocca Fest, and did so well that we booked a table for this years event there and then. Of course, there's always a worry when you do really well at a Convention that it might have been a 'one off', and that a return to the same event might not be anywhere near as successful, but we'd decided to just go for it and see what happens.
Arriving a day before the event allowed us to check out our favourite stores from last year, top of the list being The Strand (the mother of all book shops),
(photo - outside The Strand)
but rather than restricting ourselves to NYC itself this year we decided to hit two Brooklyn comic stores as well. The idea being that we get to meet the store owner, or manager, and tell him, or her, about Accent UK, showing them some of our books and hopefully leaving them with a good impression.
Having walked across the bridge we found Bergen Street Comics pretty easily, and a great little store it is as well. Mostly independent comics and some nice artwork on the walls it had a really nice feel to it. We had a nice chat with Cassy and following her recommendation we decided to take the Subway to the second store, Desert Island, rather than walk.
Where Bergen Street has a very modern feel to it, Desert Island is all heart. I didn't spot any Marvel or DC books at all, and Gabe (the owner) was very passionate about the wealth of independent comic books he had to offer. Whilst Bergen had been interested in our books, Gabe was keen to stock them as soon as we could sort things out, which was great and very encouraging. 
Saturday, the first day of the Con, saw us up pretty early, the time difference was causing us all problems, and after moving the stock from Scott's suitcase to mine and Colin's, having a breakfast consisting mostly of pancakes and downing enough coffee to ensure that we would remain awake all day (and probably all night), we set off for the venue. 
It's strange that even after having done this event only once before it was all so familiar.
(photo - Venue for Mocca Fest)
We were there pretty quickly and setting up shop at the same table as last year.
We recognised some familiar faces amongst the other creator tables and it was great to see Moe Murdock having a table again. Justin of LUSH comics was also a faimiliar face and it was a great opportunity to discuss where he's taking his digital independent comic store, and how we can support each other moving forward. All very positive.   
(photo - Colin, Tom Gauld and Dave)
We also spent some time at the Big City Dare 2 Draw event where we had the opportunity to do some life drawing, with a super-hero twist.
A great event run by the tireless Charles D Chenet which is an ongoing charity with the aim of bringing comic art to the aspiring artists of NYC.
(photo - Charles D. Chenet and Dave)
From the evidence in front of us we were able to see that it's a very worthy cause, run by people who are doing it for all the right reasons and something that we'd like to see take off in the UK.
(photo - life drawing at Dare2Draw)
Saturday, it must be said, was a little quieter than last year. A view held by everyone we spoke to, creators and customers alike, and after a very tiring day we had only managed to sell about 2/3rds of last year's target.
(photo - Scott at table)
During the day we discovered that this year's event had clashed with Stumptown (in Portland) and the feeling was that a number of customers, and creators, had gone to that event instead. We were a little worried that this wouldn't be a great Con, as Sunday's are typically about half as successful as Saturdays, and so it was with tired legs and worried heads that we ate our Chinese meal and thought about Sunday.
We needn't have worried.
Sunday was actually a little busier than Saturday and we managed to sell slightly more. Overall that meant that we did as well this year as we had last.
(photo - Dave sketches robots)
Added to this, Gabe (Desert Island) popped by the stall and we agreed to take most of our remaining stock to his store on Monday for him to sell, which was great as we would leave 3 copies of all but two titles with him, which would lighten our suitcases tremendously for the journey home.
What surprised me was that all of our titles sold pretty much the same number of copies over the Con weekend.
(photo - happy customer with Colin's adventure comics purchase)
I had expected the newer titles, particularly WesterNoir, to sell more than older ones but in retrospect I guess all of our books were new to most of the customers, and whilst we recognised some faces from last year, coming back to buy the books they hadn't got, we had a greater number of new customers.
(photo - Brigid Alverson with Fastest man purchase)
What didn't surprise me was the support given by everyone behind tables to everyone else. A real sense of community, as evidenced by the couple behind Liberty - The Story Of The Boston Massacre constantly bringing people over to look at the Robot Shorts cards. Only going to confirm my suspicion that comics people are good people
Monday was spent getting the stock to Desert Island, spendinig more cash as The Strand, popping into an art supplies store and catching a pint of Sam Adams in a NYC bar that had the football (soccer) on. Two Manchester teams clashing on the global stage. We had to leave at half time to get our taxi but it was good fun letting the locals share our pain (United went down by a goal before we left).
One of the strangest moments was when Colin found an Ames' Lettering Guide in the local art supplies store. I'd never heard of it before but apparently they're really hard to come by, so I bought one for myself ... just in case.
Thanks from Colin, Scott and myself to everyone who stopped by the table.
Can't wait for next year...

Monday, 23 April 2012

WesterNoir has arrived in time for Mocca...

... and if you don't believe me then pop over to Strange Times for proof.
We'll be launching this at next weekend's Mocca in New York, be great to see you there, if you're in the area :o)

Sunday, 22 April 2012

Comiket Report

This is just a quick write-up of what was a another great little Con in deepest darkest London. It has to be brief I'm afraid as I'm in the middle of sorting out what to take to next weekend's Mocca event in New York... yep ... I know ... it's no real hardship...
The day just flew by, from the moment Paul Gravett opened things, with Tom Gauld at the drawing table (see above) to the final call for customers to leave (at around 6.10pm)with everything going pretty much to plan, well except for my headbutting a glass door on the way out of a cafe that is.
We sold about the same as at the last Comika event, which is always a good sign, and spent the day chatting about comics to readers and creators alike.
The first outing for my new Robot Shorts book saw it sell well and the One-Eyed-Robot on the table certainly helped draw attention to our efforts... a shame I can't risk taking him to the US next week, I doubt he'd get through the scanners as he has all sorts of bits and pieces of metal inside.
As always it was great to catch up with friends, and nice to meet Becky Bagley for the first time. Becky contributed a pin-up to the Robot Shorts book, and was selling her new (to me anyway) books (as well as Tick), both of which I purchased and have now read ... impressive stuff.
Our thanks go out to the organisers, and I'm sure it's more than just Paul Gravett as it takes a lot of effort to organise something that went so well, and also to everyone who stopped by our table.
Looking forward to the next one ...

Sunday, 15 April 2012

Accent UK at Comiket next Saturday

We have a table at Comiket in London on Saturday. Am event that has grown over the years into something that is really special.
Paul Gravett has crafted an event that brings together a lot of independent creators from across the country. It has a great atmosphere and is one of our favourite events.
You can find out more on the blog.
Hope to see you there.

Monday, 9 April 2012

Video Nasties.

Well, Chris Doherty has contributed to a number of our past anthologies, and I've always tried to keep up with his work, but it's a challenge as with the works of all Independent creators due to the difficulties with distribution. I finally got around to reading his collected graphic novel of Video Nasties over Easter though, I decided to buy it as I'd managed to miss a few of the single issues, and tracking htem down would be a challenge, and hell ... it's a great looking book. I couldn't believe my luck when I saw the collected edition on the shelf of my local comic shop, an opportunity too good to miss.  
I must say that the book blew me away.
It's a wonderfully dark tale about growing up in today's video culture and despite the clues that Chris left for me as I travelled the pages I was caught out by the twists and turns and the ending wasn't what I expected it to be. It was so much better.
Don't take my word for it though, pick up your own copy at www.lulu.com or catch up with Chris through his blog over at http://bittersweetfatkid.com/ and see which Cons he'll be at this year.
You can thank me later.

Sunday, 1 April 2012

Thaddeus Mist and WesterNoir...

It's been a busy week.
I met up with Owen Johnson, who is editing, well it's much more than editing as he's pulling the whole concpet together, Who On Earth Was Thaddeus Mist?
We discussed the book's progress at some length, and the challenges that this new type of book brings with it. It's really not an anthology, although it does contain stories from different creators, but more of a bigger tale with these stories taking part in its telling. No small challenge and Owen is doing a great job, I think it would have blown my mind trying to bring it to life. We also discussed a little hard cover book that will accompany it, a kind of DVD extras idea, and if you pop over to my blog you'll see a pin-up that will accompany a few pages on what inspired me on the script that I have contributed.
Later in the week I met up with my co-conspirators on WesterNoir at the Bleeding Wolf, an appropriately named pub that's nearby. Gary Crutchley has finished art on the book, Andy Bloor has worked his design magic and it looks amazing. Having spoken to the printer however we realise that for a perfect bound edition we really need 4 more pages, so we've decided to do a little baqck story of one of the characters, rather than fill it with adverts and the like ... gives us a chance to see more of Gary's great artwork :o)
We also worked out the plot for Issue 2, and I'll be pulling the draft of that together this week. It's a real collaboration with both Gary and Andy throwing ideas around with me, and it'll be all the stronger for it.